
The International Music Festival and Competition is an annual event that provides musicians of all ages with opportunities to perform, to conduct and to write music while receiving professional guidance by leading experts in the classical music industry.
GOLD MEDALLIONS
Aaron Dutta
Allyssa Talledo
Angélique Erry
Chantal Luo
Clarisse Lin
Daniel Yu
Emma Kang
Hanyu Zhang
Jaden Thomas
Jason Chen
Kelly Chen
Nicole Huang
Ryan Lam
SILVER MEDALLIONS
Aaron Dutta
Allyssa Talledo
Catherine James
Hanyu Zhang
Jaden Thomas
Kelly Chen
Lucy Zhao
Nicole Huang
BRONZE MEDALLIONS
Aaron Dutta
Giancarlo Montanaro
Hermes Chan
Jashvir Rathore
Jason Chen
Kevin Guo
Kyle Guo
Louis Chan
Reena Tamaran
Renjing Li
Congratulations to all students for their amazing achievement!

The Royal Conservatory of Music January session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Savannah Dunberry |
Level 8 Theory |
92 |
Ms. Marina Grigorian |
Felix Yu |
Level 1 Piano |
91 |
Ms. Winnie Hsieh |
Elle Zhou |
Level 1 Piano |
87 |
Ms. Winnie Hsieh |
Jonathan Wong |
Level 1 Piano |
86 |
Ms. Marina Grigorian |
Priyanka Ragunathan |
Level 8 Theory |
86 |
Ms. Antonia deWolfe |
Hayden Chin |
Level 2 Piano |
85 |
Ms.Winnie Hsieh |
Catherine James |
Level 1 Piano |
84 |
Ms. Antonia deWolfe |
Chantal Luo |
Level 7 Piano |
83 |
Ms. Antonia deWolfe |
Elijah Gao |
Level 1 Piano |
82 |
Ms. Galyna Anno |
Jackson Zhu |
Level 3 Piano |
82 |
Ms. Elena Eremeeva |
Avni Prabhu |
Level 1 Piano |
80 |
Ms. Marina Grigorian |
Aashika Eswarapatham |
Level 3 Piano |
80 |
Ms. Elena Eremeeva |
Bethany Tse |
Level 3 Piano |
80 |
Ms. Antonia deWolfe |
Thea Duggal |
Level 3 Guitar |
80 |
Mr. Ramon Taranco |
Esther Lam |
Level 4 Violin |
80 |
Mr. Arpad Josephson |

The Royal Conservatory of Music August session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Ryan Lam |
Preparatory A Piano |
93 |
Ms. Dianne Hughes |
Andrei Talledo |
Preparatory B Piano |
91 |
Ms. Suzanne Marfise |
Jonathan Wang |
Level 5 Flute |
91 |
Ms. Leonid Sprikut |
Nicole Huang |
Level 1 Piano |
89 |
Ms. Suzanne Marfise |
Janessa Puyo |
Level 2 Piano |
85 |
Ms. Suzanne Marfise |
Clarisse Lin |
Level 5 Theory |
84 |
Ms. Dianne Hughes |
Angelique Erry |
Level 4 Voice |
84 |
Mr. Paul Williamson |
Connor Lau |
Preparatory Violin |
84 |
Mr. Arpad Josephson |
Angelina Kostantin |
Level 2 Piano |
83 |
Ms. Galyna Anno |
Clarisse Lin |
Level 8 Piano |
83 |
Ms. Dianne Hughes |
Allyssa Talledo |
Level 1 Piano |
81 |
Ms. Suzanne Marfise |
Edwin Dong |
Level 5 Piano |
81 |
Ms. Suzanne Marfise |
Theesik Aravinthan |
Level 5 Piano |
81 |
Ms. Suzanne Marfise |
Reena Tamaran |
Level 1 Piano |
80 |
Ms. Winnie Hsieh |
Arianna Jean Lagunzad |
Level 2 Piano |
80 |
Ms. Karina Shnayder |
ADaniel Yu |
Level 4 Piano |
80 |
Ms. Karina Shnayder |
Brandon Yin |
Level 1 Piano |
80 |
Ms. Antonia De Wolfe |
Jason Chen |
Level 8 Theory |
80 |
Ms. Antonia De Wolfe |

The Royal Conservatory of Music June session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Thivya Jeyapalan |
Level 8 Theory |
92 |
Ms. Antonia de Wolfe |
Isabelle Dasgupta |
Level 1 Piano |
90 |
Ms. Galyna Ammo |
Emily Jong |
Level 8 Theory |
89 |
Ms. Marina Grigoryan |
Priyanka Ragunathan |
Level 7 Theory |
88 |
Ms. Antonia de Wolfe |
Louis Chan |
Prep B Piano |
86 |
Ms. Suzanne Marfise |
Thea Duggal |
Level 1 Guitar |
85 |
Mr. Ramon Taranco |
Hermes Chan |
Prep B Piano |
84 |
Ms. Suzanne Marfise |
Jessica Wang |
Level 6 Voice |
81 |
Mr. Paul Williamson |
Linda Liu |
Level 4 Oboe |
80 |
Mr. John Mills |

The International Music Festival and Competition is an annual event that provides musicians of all ages with opportunities to perform, to conduct and to write music while receiving professional guidance by leading experts in the classical music industry.
GOLD MEDALLIONS
Aaron Chen
Carter Kawabata
Hayden Chin
Peter Morcos
Reese Bi
Rex Hakimi
Thea Duggal
SILVER MEDALLIONS
Aaron Dutta
Alex Reyes
Allyssa Talledo
Catherine James
Chris Wei
Derek Price
Huy Luong
Kelly Chen
Kyle Guo
Reese Bi
BRONZE MEDALLIONS
Renjing Li
Aaron Dutta
Alec Dong
Edwin Dong
Jason Chen
Kevin Guo
Kyle Guo
Kyra Sophie Oszlai
Nicole Huang
Reena Tamaran
Reese Bi
Renjing Li
Theesik Aravinthan
Congratulations to all students for their amazing achievement!

The Royal Conservatory of Music April session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Aaron Dutta |
Level 3 Piano |
88 |
Ms. Lili Imastounian |
Jerry Wong |
Level 3 Piano |
84 |
Ms. Lili Imastounian |
Ethan Wong |
Level 1 Piano |
82 |
Ms. Lili Imastounian |
Bethany Tse |
Level 2 Piano |
81 |
Ms. Antonia de Wolfe |
Reese Bi |
Level 5 Piano |
81 |
Ms. Lili Imastounian |
Henry Zheng |
Level 2 Piano |
81 |
Ms. Marina Grigoryan |
Jonathan Wong |
Prep B Piano |
80 |
Ms. Marina Grigoryan |

This year there were over 1,000 young musicians performing at the GTA Kiwanis Music Festival. Competitive as ever, the Festival was a great opportunity for our students to receive feedback on their studies from internationally renowned artists
Three of the International Music Academy (Markham) students have received the highest recognition and has been awarded First Place in the following categories:
Aaron Chen 1st place (Clarinet Grade 9)
Patrick Hu 1st place (Clarinet Grade 8)
Jeffrey Su - 1st place (Clarinet Grade 6)
Jonathan Wang 3rd place (Flute Grade 3)
Jalen Yang 3rd place (Clarinet Grade 8)
Jaffrey, Patrick and Aaron have also been selected to compete at the Ontario Provincial Finals in June. Congratulations to them all and many thanks to their teacher Mr. Leonid Sprikut for his continued dedication.

The Royal Conservatory of Music January session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Kevin Guo |
Level 10 Theory |
95 |
Ms. Antonia de Wolfe |
Jonathan Wong |
Level 8 Theory |
93 |
Ms. Suzanne Marfise |
Daria Pryymak |
Preparatory A Piano |
90 |
Ms. Dianne Hughes |
Angela Liang |
Level 1 Vioce |
88 |
Ms. Sara Chen |
Jason Chen |
Level 8 Piano |
88 |
Ms. Antonia De Wolfe |
Clarisse Lin |
Level 7 Piano |
84 |
Ms. Dianne Hughes |
Avni Prabhu |
Preparatory B Piano |
83 |
Ms. Marina Grigoryan |
Clara Kim |
Level 8 Piano |
83 |
Ms. Dianne Hughes |
Thivya Jeyapalan |
Level 8 Piano |
80 |
Ms. Antonia De Wolfe |

The Royal Conservatory of Music August session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Renee White |
Level 8 Theory |
98 |
Ms. Antonia de Wolfe |
Jonathan Yu Sing Wong |
Preparatory A Piano |
88 |
Ms. Marina Grigoryan |
Bethany Tse |
Level 1 Piano |
88 |
Ms. Antonia De Wolfe |
Rida Aftab |
Level 5 Piano |
87 |
Ms. Antonia De Wolfe |
Esther Lam |
Level 2 Violin |
87 |
Mr. Arpad Josephson |
Reena Tamanan |
Preparatory B Piano |
86 |
Ms. Marina Grigoryan |
Janessa Puyo |
Level 1 Piano |
86 |
Ms. Suzanne Marfise |
Carter Kawabata |
Level 7 Piano |
85 |
Ms. Lili Imastounian |
Jenny Wang |
Level 2 Piano |
84 |
Ms. Suzanne Marfise |
Eva Montanaro |
Preparatory Violin |
84 |
Mr. Arpad Josephson |
Daniel Yu |
Level 3 Piano |
83 |
Ms. Suzanne Marfise |
Alec Dong |
Level 8 Piano |
81 |
Ms. Suzanne Marfise |
Isabelle Dasgupta |
Preparatory B Piano |
80 |
Ms. Galyna Anno |
Anujan Kandasamy |
Level 5 Piano |
80 |
Ms. Lili Imastounian |

The Royal Conservatory of Music June session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Emily Jong |
Level 7 Theory |
94 |
Ms. Lili Imastounian |
Arianna Lagunzad |
Preparatory B Piano |
93 |
Ms. Suzanne Marfise |
Thivya Jeyapalan |
Level 7 Theory |
92 |
Ms. Antonia De Wolfe |
Jonathan Wong |
Level 7 Theory |
92 |
Ms. Suzanne Marfise |
Avni Prabhu |
Preparatory A Piano |
89 |
Ms. Marina Grigoryan |
Priyanka Ragunathan |
Level 5 Theory |
88 |
Ms. Marina Grigoryan |
Savannah Dunberry |
Level 7 Theory |
88 |
Ms. Marina Grigoryan |
Shaelin Baldsing |
Level 2 Piano |
86 |
Ms. Marina Grigoryan |
Jason Chen |
Level 7 Piano |
85 |
Ms. Antonia De Wolfe |
Jeffrey Su |
Level 4 Clarinet |
84 |
Mr. Leonid Sprikut |
Nitin Raj |
Level 2 Piano |
83 |
Ms. Marina Grigoryan |
Jerry Wong |
Level 2 Piano |
83 |
Ms. Lili Imastounian |
Jatynne Raj |
Level 4 Piano |
83 |
Ms. Marina Grigoryan |
Rohin Furchner |
Preparatory B Piano |
80 |
Ms. Marina Grigoryan |

The Royal Conservatory of Music April session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Aryan Ihsan |
Level 2 Piano |
94 |
Ms. M. Grigoryan |
Ava Ford |
Prep B Piano |
93 |
Ms. M. Grigoryan |
Reena Tamanan |
Prep A Piano |
92 |
Ms. M. Grigoryan |
Christina Tarla |
Prep B Piano |
92 |
Ms. M. Grigoryan |

This year there were over 1,000 young musicians performing at the GTA Kiwanis Music Festival. Competitive as ever, the Festival was a great opportunity for our students to receive feedback on their studies from internationally renowned artists
Three of the International Music Academy (Markham) students have received the highest recognition and has been awarded First Place in the following categories:
Aaron Cheng – Clarinet (RCM Grade 8)
Patrick Hu – Clarinet (RCM Grade 7)
Jeffrey Su – Clarinet (RCM Grade 4)
Patrick and Aaron have also been selected to compete at the Ontario Provincial Finals in June. Congratulations to them all and many thanks to their teacher Mr. Leonid Sprikut for his continued dedication

The Royal Conservatory of Music January session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Alex Reyes |
Level 8 Theory |
100 |
Ms. Antonia De Wolfe |
Jonathan Wong |
Level 6 Theory |
94 |
Ms. Suzanne Marfise |
Theesik Aravinthan |
Level 2 Piano |
88 |
Ms. Suzanne Marfise |
April J Wei |
Level 9 Piano |
85 |
Ms. Suzanne Marfise |
Jenny Wang |
Level 1 Piano |
83 |
Ms. Suzanne Marfise |
Nancy Peter |
Level 8 Theory |
83 |
Ms. Antonia De Wolfe |
Thivya Jeyapalan |
Level 7 Piano |
82 |
Ms. Antonia De Wolfe |
Renee White |
Level 7 Theory |
82 |
Ms. Antonia De Wolfe |
Carter Kawabata |
Level 8 Theory |
82 |
Ms. Lili Imastounian |
Edwin Dong |
Level 3 Piano |
80 |
Ms. Suzanne Marfise |

The Royal Conservatory of Music August session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Christina Tarla |
Preparatory A Piano |
95 |
Ms. Marina Grigoryan |
Nancy Peter |
Level 6 Theory |
92 |
Ms. Antonia de Wolfe |
Adela Hua |
History Level 10 |
91 |
Ms. Antonia de Wolfe |
Daniel Yu |
Level 1 Piano |
91 |
Ms. Suzanne Marfise |
Alec Dong |
Level 8 Theory |
90 |
Ms. Suzanne Marfise |
Ava Ford |
Preparatory A Piano |
90 |
Ms. Marina Grigoryan |
Rohin Furchner |
Preparatory A Piano |
90 |
Ms. Marina Grigoryan |
Shaelin Baldsing |
Level 1 Piano |
88 |
Ms. Marina Grigoryan |
Kyra Sophie Oazlai |
Level 5 Theory |
86 |
Ms. Antonia de Wolfe |
Jatynne Raj |
Level 3 Piano |
83 |
Ms. Marina Grigoryan |
Nitin Raj |
Level 1 Piano |
81 |
Ms. Marina Grigoryan |
Holden Boutros |
Level 3 Piano |
80 |
Ms. Marina Grigoryan |
Logan Boutros |
Level 3 Piano |
80 |
Ms. Marina Grigoryan |

The Royal Conservatory of Music June session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Deejesh Subramanian |
Theory 8 |
94 |
Mr. Arpad Josephson |
Savannah Dunberry |
Theory 6 |
91 |
Ms. Marina Gregorian |
Aryan Ihsan |
Level 1 Piano |
91 |
Ms. Marina Gregorian |
Jashvir Rathore |
Level 1 Clarinet |
91 |
Mr. John Mills |
Bernice Chung |
Level 5 Theory |
88 |
Mr. Arpad Josephson |
Alexandra Lavric |
Prep A Piano |
88 |
Ms. Marina Grigoryan |
Rex Hakimi |
Prep A Piano |
88 |
Ms. Marina Grigoryan |
Henry Zheng |
Prep B Piano |
87 |
Ms. Marina Grigoryan |
Carter Kawabata |
Level 6 Piano |
86 |
Ms. Lili Imastounian |
Theesik Aravinthan |
Level 1 Piano |
84 |
Mrs. Suzanne Marfise |
Alexandra Lavric |
Level 1 Voice |
81 |
Ms. Marina Grigoryan |
Navid Pahlwan |
Level 4 Piano |
80 |
Mrs. Suzanne Marfise |
Chloe Ip |
Level 8 Piano |
80 |
Ms. Antonia DeWolfe |
Emily Jong |
Level 6 Theory |
80 |
Ms. Marina Grigoryan |
Garrett Kawabata |
Level 9 Piano |
80 |
Ms. Lili Imastounian |
Rex Hakimi |
Level 1 Voice |
80 |
Ms. Marina Grigoryan |

The Royal Conservatory of Music January session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Alec Dong |
Theory Level 6 |
94 |
Ms. Suzanne Marfise |
Deejesh Subramanian |
Theory Level 6 |
90 |
Mr. Arpad Josephson |
Emma Grace Ortiz |
Level 3 Violin |
90 |
Ms. Salome Legemaate |
Alex Reyes |
Level 10 Piano |
84 |
Ms. Antonia de Wolfe |
Anya Pooran |
Level 1 Violin |
84 |
Ms. Salome Legemaate |

The Royal Conservatory of Music August session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Emma Grace Ortiz |
Grade 1 Violin |
90 |
Ms. Salome Legemaate |
Aryan Ihsan |
Prep B Piano |
86 |
Ms. M. Grigoryan |
Jatynne Raj |
Grade 2 Piano |
86 |
Ms. M. Grigoryan |
Shaelin Baldsing |
Prep B Piano |
85 |
Ms. M. Grigoryan |
Dailiang Chen |
Grade 2 Piano |
83 |
Ms. M. Grigoryan |
Nitin Raj |
Prep B Piano |
82 |
Ms. M. Grigoryan |
James Au |
Prep B Piano |
82 |
Ms. M. Grigoryan |
Jonathan Wong |
Grade 1 Guitar |
81 |
Mr. Ramon Taranco |
Celina M Mekhail |
Grade 5 Voice |
80 |
Mr. Justin Walsh |

The Royal Conservatory of Music June session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Alec Dong |
Theory Basic |
97 |
Ms. Suzanne Marfise |
Olivia Maveal |
Theory Basic |
97 |
Ms. Marina Grigoryan |
Rhea Pai |
Theory Basic |
97 |
Ms. Antonia De Wolfe |
Savannah Dunberry |
Theory Basic |
95 |
Ms. Marina Grigoryan |
Linda Gu |
Theory Basic |
95 |
Ms. Antonia De Wolfe |
Bernice Wu |
Theory Advanced |
92 |
Ms. Marina Grigoryan |
Aaron Chen |
Grade 6 Clarinet |
89 |
Mr. Leonid Sprikut |
Evelyne Jurca |
Theory Intermediate |
87 |
Ms. Antonia De Wolfe |
Jackie Xu |
Grade 8 Clarinet |
80 |
Mr. Leonid Sprikut |

The Royal Conservatory of Music April session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Darius Bonakdar |
Grade 3 Piano |
87 |
Ms. Katherine Cao |
Carter Kawabata |
Grade 5 Piano |
85 |
Ms. Lili Imastounian |
Teresa (Yuxuan) Peng |
Grade 9 Piano |
83 |
Ms. Lili Imastounian |
Mutian Liu |
Grade 7 Piano |
82 |
Ms. Antonia de Wolfe |
Consumer Choice Award was established in 1987 and is considered to be the most distinguished award for business excellence in Canada.
This is the second time the International Music Academy has won the Consumer Choice Award for best private music school, within the past 5 years.
In his congratulatory letter to the International Music Academy Faculty and Staff, Mr. Marcl Sbrollini, President of the Consumer Choice Award wrote:
“… the consumers and the business in your community have selected you as the top-ranked organization in your industry. You are now part of a very select group of business owners and entrepreneurs recognized for their business excellence in the GTA.”
Official Announcement of the Award was made on February 4, 2016 in Le Parc Centre in Richmond Hill.
Warmest thanks to our students, their parents and all clients for their confidence in the International Music Academy. Congratulations to all teachers and staff for their dedication and work at the highest international standards.

The Royal Conservatory of Music January session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject |
Mark |
Teacher |
Emily Jong |
Harmony I |
97 |
Ms. Marina Grigoryan |
Joy Wu |
Theory III |
95 |
Ms. Katherine Cao |
Michael Lee |
Theory III |
88 |
Ms. Marina Grigoryan |
Labros Spandonidis |
Grade 4 Piano |
84 |
Ms. Antonia de Wolfe |
Celina Mekhail |
Grade 3 Voice |
81 |
Mr. Justin Welsh |

The Royal Conservatory of Music August session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject, Grade |
Mark |
Teacher |
Jatynne Raj |
Grade 1 Piano |
86 |
Ms. Lili Imastounian |
Mishani Tan |
Preparatory Violin |
81 |
Mr. Arpad Josephson |
Adela Hua |
Basic Harmony |
80 |
Ms. Suzanne Marfise |

The Royal Conservatory of Music June session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject, Grade |
Mark |
Teacher |
Kyra Sophie Oszlai |
Grade 2 Piano |
93 |
Ms. Antonia de Wolfe |
Kyra Sophie Oszlai |
Grade 1 Guitar |
86 |
Mr. Ramon Taranco |
Adela Hua |
Grade 5 Trumpet |
83 |
Mr. Leonid Sprikut |

This year there were over 1,000 young musicians performing at the GTA Kiwanis Music Festival. Competitive as ever, the Festival was a great opportunity for our students to receive feedback on their studies from internationally renowned artists.
Three of the International Music Academy (Markham) students have received the highest recognition and has been awarded First Place in the following categories:
Richard Zhang – 1st Award (RCM clarinet, Grade 7)
Jackie Xu - 1st Award (RCM clarinet, Grade 6)
Katherine Lee – 1st Award (RCM clarinet, Grade 3)
Garrett Kawabata – Silver Award (RCM piano, Grade 8)
Garrett Kawabata – Silver Award (RCM piano, Grade 7)
Karter Kawabata – Bronze Award (RCM piano, Grade 4)

The Royal Conservatory of Music January session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject, Grade |
Mark |
Teacher |
Anjali Mistry |
Music Theory II |
93 |
Ms. Suzanne Marfise |
Michael Lee |
Music Theory II |
92 |
Ms. Marina Grigoryan |
David Yap |
Grade 2 Violin |
92 |
Ms. Marina Grigoryan |
Alena Parkinson |
Grade 6 Piano |
84 |
Ms. Antonia de Wolfe |
Kyra Sophie Oszlai |
Grade 1 Piano |
83 |
Ms. Antonia de Wolfe |
Kyle Omari Miller |
Grade 1 Piano |
80 |
Ms. Antonia de Wolfe |

The Royal Conservatory of Music January session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject, Grade |
Mark |
Edward Tang |
Theory Advanced |
93 |
Labros Spandonidis |
Grade 1 Piano |
91 |
Rida Aftab |
Grade 1 Piano |
87 |
Kayvon Najibzadeh |
Grade 1 Piano |
83 |
Matthew Finn |
Grade 2 Piano |
81 |
Jackie Xu |
Grade 4 Clarinet |
80 |
Tiger Zhao |
Grade 8 Saxophone |
80 |

The Royal Conservatory of Music June session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject, Grade |
Mark |
Brenda Liu |
Theory Basic |
93 |
Rishi Bhuwan |
Grade 3 Trumpet |
86 |
Garrett Kawabata |
Grade 4 Violin |
80 |
Noah Mathew |
Grade 2 Piano |
80 |

The Royal Conservatory of Music January session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject, Grade |
Mark |
Tiger Zhao |
Theory Advanced |
93 |
Garrett Kawabata |
Theory Intermediate |
91 |
Carter Kawabata |
Grade 3 Piano |
87 |
Matthew Finn |
Grade 1 Piano |
83 |
Garrett Kawabata |
Grade 6 Piano |
82 |
David Yap |
Grade 1 Violin |
80 |
Ethan Jong |
Grade 2 Piano |
80 |

The Royal Conservatory of Music August session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject, Grade |
Mark |
Edward Tang |
Theory Intermediate |
99 |
Rishi Bhuwan |
Grade 1 Trumpet |
90 |
Sharon Cheung |
Grade 2 Flute |
87 |
Tiger Zhao |
Grade 6 Saxophone |
86 |
Olivia Xu |
Grade 4 Violin |
86 |
Chloe Cheung |
Grade 2 Flute |
85 |
Noah Mathew |
Grade 1 Piano |
80 |
Rachel Tang |
Grade 7 Piano |
80 |

The Royal Conservatory of Music June session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject, Grade |
Mark |
Anjali Mistry |
Theory Basic |
99 |
Odosa Obasuyi |
Grade 1 piano |
89 |
Michael Lee |
Theory Basic |
88 |
Zahra Mustansir |
Grade 1 piano |
84 |
Niral Mistry |
Grade 2 Clarinet |
83 |
Michael Cheng |
Grade 2 Flute |
81 |
Janis Cheng |
Grade 2 Flute |
81 |
Vincent Poon |
Grade 4 Violin |
80 |

The Royal Conservatory of Music April session examination results have been announced. Congratulations to the IMA students achieving considerably higher than the Provincial average marks, with distinction.
Student |
Subject, Grade |
Mark |
Chloe Tam |
Grade 3 Piano |
85 |
Adit Krishnan |
Grade 3 Piano |
82 |
Jessica Facchini |
Grade 2 Piano |
82 |
Alexander Nielsen |
Grade 2 piano |
80 |
Mariah A Brown |
Grade 5 Piano |
80 |
Gligor Djogo (clarinet) has won a first place in the category of ARCT Performance at the North York Music Competition for playing Mozart’s Concerto for clarinet and orchestra. His younger brother, Novak Djogo (flute), has won a first award and Radomir Djogo (trumpet) has won a first award as well. All three boys are students of Mr. Leonid Sprikut. Congratulations on their excellent performances and all the best in their future music-related endeavours.
May 2012. North York Music Festival was created in 2010 and has quickly gained popularity due to its professional adjudicators and non-competitive environment. Nicole Lazarovsky (voice) and Deven Chakravorty (voice) have won second award at the 2012 North York Music Festival.
April 2012. Eighteen IMA students took part in this prestigious event, held on April 7, 2012 at Ricoh Coliseum 9,500-seat stadium. To our pleasure, the Marlies have won the game, 45 seconds into overtime with 3-2. To watch a short documentary in HD, click on the image below.
April 2012.The Markham Music Festival is also known as the Euromusic Piano Competition. It has been created in 1994 and is sponsored by TD Canada Trust. The competition is for young pianists only and is based on the Royal Conservatory of Music curriculum. It is also one of the most serious piano competitions in the GTA. Congratulations on excellent performances to:
Gwyneth Poon (Second Award in RCM Grade 7 class)
Parthee Bala (Second Award in RCM Grade 3 class)
Warmest thanks to their teachers for inspiring our young pianists and guiding them to the highest achievements as well as to their families for their continuous support.
March 2012. Six students from the International Music Academy have competed with hundreds of participants from the Greater Toronto Area at the 2012 Kiwanis Music Festival. All have won prestigious awards in various categories. Congratulations on their outstanding performances to:
Marcel Short (Gold Award in RCM Grade 2 clarinet class)
Radomir Djogo (Gold Award in RCM Grade 2 trumpet class)
Novak Djogo (Gold Award in RCM Grade 6 flute class)
Garrett Kawabata (Gold Award in RCM Grade 4 piano class)
Carter Kawabata (Gold Award in RCM Grade 2 piano class)
Matthew Wong (Gold Award in RCM Grade 7 violin class)
Gligor Djogo (Silver Award in RCM Grade 9 clarinet class)
Mihai Lungu (Silver Award in RCM Grade 2 trumpet class)
Warmest thanks to their teachers for inspiring our young musicians and guiding them to the highest achievements as well as to their families for their continuous support.
February 2012. An international leader in the fields of music education and performance training, The Royal Conservatory is celebrating its 125th Anniversary this year with the introduction of the combined Convocation and Gold Medal Awards Ceremony. Gold Medals are awarded each academic year, September 1 to August 31, by province or region, to candidates who have obtained the highest marks for practical examinations in each discipline, Grades 1 through ARCT. In order to be eligible for these awards, recipients must have obtained a minimum mark of 80% on their practical examination and have completed the theory requirements for their grade.
On behalf of The Royal Conservatory, we cordially invite you to the 2011 Ontario and Quebec Convocation and Gold Medal Awards Ceremony in Toronto to celebrate excellence in music with the community of Gold Medal Teachers and Medalists this year. The 2011 Ontario and Quebec Convocation and Gold Medal Ceremony wil take place on February 12, 2012 at 2:00 p.m. at Koerner Hall, The Royal Conservatory, The TELUS Centre for Performance and Learning at 273 Bloor Street West, Toronto, ON M5S 1W2.
Matthew Wong (grade 7 violin)
Edward Tang (grade 4 piano)
Mary Christidis (grade 3 harmony)
Katryna Durfy Weir (grade 2 rudiments)
Madura Muraleetharan (grade 2 voice)
Samantha Fung (grade 1violin)
Niral Mistry (grade 1 piano)
Timothe Noche (grade 1 violin)
Olivia Xu (grade 1 violin)
The Kindred Spirits Orchestra under the Honorary Patronage of Mayor Frank Scarpitti of Markham is pleased to announce the winners of the 2011 Broadway Kids Live! Auditions. Broadway Kids Live! is a new programme created by the Kindred Spirits Orchestra that is designed to provide children with opportunities to acquire important skills in singing, acting, dancing, working with conductor, and performing in front of a large audience. From 115 applications received, 55 children from York Region were invited to audition live in Markham and another 23, in Toronto. During the live auditions, a panel of judges led by Maestro Kristian Alexander, Music Director of the Kindred Spirits Orchestra, looked for a particular blend of vocal, acting, and dancing skills, as related to a pre-determined list of characters that will later be included in the show. A final cast of 14 children was selected to perform live on stage of Markham Theatre for the Performing Arts on May 6, 2012:
- Aneesah Bari (Stouffville)
- Ayla Neumann (New Market)
- Candace Santos (Mississauga)
- Celeste McGill (Maple)
- Deven Chakravorty (Markham)
- Faith Rauen (Unionville)
- Glenn Edward Montera (Toronto)
- Isabelle Duchene (New Market)
- Leya Herschel (Markham)
- Lia Luz (Scarborough)
- Luka Mihajlovi (Markham)
- May He Tessoro (Unionville)
- Nicole Lazarovski (Markham)
- Samantha Waller (Richmond Hill)
16 students from the International Music Academy have competed with thousands of participants from the GreateToronto Area at the 2011 Kiwanis Music Festival. All have won prestigious awards in various categoriesCongratulations on their outstanding performances to:
- Stella Schneckenburger (Piano solo RCM Grade 3) - Gold Award and Best in Class
- Garrett Kawabata (Piano solo Sonatinas) - Gold Award and 1st place
- Celia Tang (Clarinet solo RCM Grade 10) - Gold Award and 1st place
- Sharon Wong (Piano solo RCM Grade 7) - Gold Award and 2nd place
- Ryan Xu (Piano solo RCM Grade 1) - Gold Award and 2nd place
- Carter Kawabata (Piano solo RCM Grade 2) - Gold Award and 3rd place
- Marina Wai (Piano solo RCM Grade 6) - Gold Award and 3rd place
- Michael Xu (Piano solo RCM Grade 4) - Gold Award
- Gwyneth Poon (Piano solo RCM Grade 5) - Gold Award
- Daniel Joanes (Piano solo RCM Grade 2) - Gold Award
- Julie-Anne Boucher (Violin solo RCM Grade 7) - Gold Award
- Hansel Lui (Violin solo RCM Grade 3) - Silver Award
- Daniel Joanes (Piano solo RCM Grade 2) - Silver Award
- Garrett Kawabata (Piano solo RCM Grade 3) - Silver Award
- Johnson Zheng (Piano solo RCM Grade 2) - Silver Award
- Martin Tuzin (Piano solo RCM Grade 6) - Silver Award
- Katherine Lee (Piano solo RCM Grade 4) - Silver Award
- Jobert Sevilleno (Voice solo) - Bronze Award and 2nd place
Three voice students from the clas of Ms. Helena Holl have won a
Silver Award at the 2010 Richmond Hill Music Festival. Congratulations
to:
- Leya Herschel (Italian Art Song)
- Nicole Lazarovsky (Broadway Musical)
- Jobert Sevilleno (Open class)
Through a collaboration with AYNI, the International Music Academy has assisted 4 children in Peru with the purchase of books and educational materials required for one year of studies. Watch a video about this exciting partnership in gallery.
The North York Music Festival (formerly NYCO Music Festival) has brought another wave of great success to our students, especially those who competed in the vocal classes. Congratulations to:
Stephanie Commarasana – GOLD Award (saxophone)
Leya Herschel – GOLD Award (voice)
Philip Huynh – GOLD Award (voice)
Charina Alducente – SILVER Award (voice)
Nicole Lazarovski – SILVER Award (voice) and BRONZE Award (voice)
Nicole Jaskot – SILVER Award (voice)
Garett Kawabata – SILVER Award (piano)
Aneesah Bari – BRONZE Award (voice)
Special thanks to their teachers Ms. Helena Holl (voice), Ms. Mao Ke (voice), Ms. Priscila Coelho (voice, piano), Mr. Leonid Sprikut (woodwinds), and Ms. Lili Imastounian (piano).
The Markham Music Festival is well known as the Euromusic Piano Competition. It has been created in 1994 and is sponsored by TD Canada Trust. The competition is for young pianists only and is based on the Royal Conservatory of Music curriculum. It is also one of the most serious piano competitions in the GTA. Congratulations on excellent performances to:
Gwyneth Poon (First Award in RCM Grade 3 Sonatina class)
Sindu Karunaharan (Second Award in RCM Grade 3 contemporary piece class)
Katherine Lee (Third Award in RCM Grade 3 contemporary piece class)
Warmest thanks to their teachers for inspiring our young pianists and guiding them to highest achievements. Best regards to the families for their continuous support.
Congratulations to the following students:
Gligor Djogo (GOLD Award), clarinet RCM Grade 8
Cameron Lee (GOLD Award), violin RCM Grade 8
Matthew Wong (GOLD Award), violin RCM Grade 6
Maggie Chie (GOLD Award), saxophone RCM Grade 6
Amanda Mac (GOLD Award), piano RCM Grade 5
Novak Djogo (GOLD Award), flute RCM Grade 4
Ameen Meshkat (GOLD Award), saxophone RCM Grade 4
Tiger Zhao (GOLD Award), saxophone RCM Grade 1
Jeffrey Li (GOLD Award), Guitar RCM Grade 1
Michael Xu (GOLD Award), piano RCM Introductory Grade
Michelle Yu (GOLD Award), voice Musical theatre
Andrea Wong (SILVER Award), violin RCM Grade 6
Martin Tuzim (SILVER Award), piano RCM Grade 5
Jamal Virani (SILVER Award), voice Musical theatre
Cathy Shen (BRONZE Award), voice Grand Opera
Congratulations on successful performances to:
Lucy Yi (double bass) - 1st place (class DB5)
Nicole Jaskot (voice) - 2nd place (class VO3)
Michelle Yu (voice) - 3rd place (class VO5)
The International Music Academy has won the 2008 Consumers' Choice Award for best music school in the GTA. We have won in all categories of "consumers satisfaction", "quality of education", "programmes and services", "learning and teaching environment", "management", "music festivals and competitions", and overall "business excellence". The official award ceremony was recorded on June 2, 2008 by CTV for future release.
The Consumers' Choice Award is considered the seal of excellence. For recipients the award not only constitutes the crowning achievement of their efforts, but more importantly it also represents the most valuable reward of all, the knowledge that they have earned the trust and loyalty of consumers.
The International Music Academy Faculty, Staff, and Management would like to thank all students and their families for their continuous support and for voting us the best music school in the Great Toronto Area.
Xianxin Du was selected to represent the GTA at the Ontario Provincial Competition (in the category of brass instruments). He competed with other candidates from all major cities in Ontario and has won the Second Award. This has been very fruitful year for Xianxin. He has also won a SILVER medal from the Royal Conservatory of Music and a Second Award from the Kiwanis Music Competition. Congratulations on your great achievements!
The International Music Academy Faculty and Staff congratulate the following students on their outstanding performance:
Ryan Ip (violin) – First Award (RCM 9 Violin sonata)
Ryan Ip (violin) – First Award (RCM 9 Violin concerto)
Renée Ly (piano) – First Award (RCM 4, List A)
Diane Tam (violin) – First Award (RCM 3, List C)
Xianxin Du (trumpet) – Second Award (RCM 9, List B)
Ryan Ip (violin) – Second Award (Bach solo sonata)
Clemence Tam (violin) – Second Award (RCM 4, List A)
Renée Ly (piano) - Second Award (RCM 4, List B)
Diane Tam (violin) – Second Award (RCM 3, List A)
Ranjith Ranganathan (guitar) – Second Award (RCM 1, List A)
Anna Wong (violin) – Second Award (RCM 2, List A)
Daniella Pisciola (piano) – Second Award (RCM i, List A)
John Mamatis (piano) – Second Award (RCM 1, List B)
Clemence Tam (violin) – Third Award (RCM 4, List C)
Aaron Wong (piano) – Third Award (RCM 4, List B)
Matthew Wong (violin) – Third Award (RCM 4, List A)
Maria Pin (violin) – Third Award (RCM 4, Violin Studies)
Stanley Yeung (trumpet) – Third Award (RCM 4, List B)
Amanda Mac (piano) – Third Award (RCM 2, List B)
Serena Sgandurra (piano) – Third Award (RCM 1, List A)
Ganesh Santhananthan (saxophone) – Third Award (RCM 2)
Congratulations go also to the following students for their excellent performance. They all have put a lot of time and energy and have achieved great results: Cameron Lee (violin), Hayson Ko (violin), Stanley Yeung (piano), Sunny Yeung (piano), Chelsea Dumasal (piano), Ellie Mamatis (piano).
We would also like to thank the teachers Mr. Leonid Sprikut, Mrs. Svetlana Koroleva, Mrs. Irina Pechkina, Mrs. Olga Polikarpova, and Mr. Rizgar Al-Timary for their professionalism and dedication.
The Kiwanis Music Competition is the oldest in Canada and is a member of the Kiwanis International that was founded in 1915 with the goal to "change the world one child and one community at a time".
Arts Richmond Hill was founded in 1979 as a community based Arts Council whose mandate is the advancement of arts and culture through promotion, awareness, and education. Every year hundreds of students participate in a Music competition based on the Royal Conservatory of Music curricula and examination requirements. During the last weekend of November 2007 iMA students competed in several classes for piano, violin, trumpet, flute, and voice. The winners of this year Richmond Hill Music Competition are:
Aaron Wong, GOLD medal (piano, P13)
Alexander Volkov, GOLD medal (violin, VN25)
Alexander Volkov, GOLD medal (violin, VN27)
Hayson Ko, GOLD medal (violin, VN19)
Serena Sgandurra, GOLD medal (piano, P4)
Stanley Yeung, GOLD medal (trumpet, TU3)
Xianxin Du, GOLD medal (trumpet, TU5)
Aaron Wong, SILVER medal (piano, P11)
Alexander Volkov, SILVER medal (violin, VN24)
Alexander Volkov, SILVER medal (violin, VN26)
Anna Djalilvand, SILVER medal (violin, VN9)
Anna Djalilvand, SILVER medal (violin, VN11)
Deanna Rudiak, SILVER medal (violin, P18)
Diane Tam, SILVER medal (violin, VN9)
Hayson Ko, SILVER medal (piano, VN18)
Serena Sgandurra, SILVER medal (piano, P3)
Anna Djalilvand, BRONZE medal (violin, VN10)
Anna Wong, BRONZE medal (violin, VN6)
Diane Tam, BRONZE medal (violin, VN10)
Diane Tam, BRONZE medal (violin, VN11)
Hayson Ko, BRONZE medal (violin, VN20)
Jonathan Matta, BRONZE medal (piano, P2)
Every academic year the Royal Conservatory of Music awards SILVER medals to students who have achieved the highest marks on their combined practical and theory examinations. Only one student per grade (1 through 10) would receive the SILVER medal award in the province of Ontario. The GOLD award is given only to accomplished students at the Artist Diploma (ARCT) level.
We are proud to announce that this year the Royal Conservatory of Music has awarded SILVER Medals to two iMA students:
Alexander Volkov, a 12 years old violinist who has achieved 94% on his Grade 7 violin and 99% on his Theory 2 examinations; and
Xianxin Du, a 18 years old trumpeter who has achieved 92% on his Grade 8 trumpet and 99% on his Theory 2 examinations.
The International Music Academy is thrilled that Alexander and Xianxin are both the only students from the province of Ontario who have been awarded the RCM SILVER Medal this year.Congratulations and warmest thanks to their families and to the devoted IMA teachers for this great achievement. The Award Ceremony will be held on Sunday, November 25, 2007 at 2:00 p.m. at The Glenn Gould Studio, 250 Front Street in Toronto.
The Markham Music Festival is well known as the Euromusic Piano Competition. It has been created in 1994 and is sponsored by TD Canada Trust. The competition is for young pianists only and is based on the Royal Conservatory of Music curriculum. It is also one of the most serious piano competitions in the GTA.
The iMA Faculty and Staff would like to congratulate the following students for their spectacular success at the Euromusic Piano Competition:
Aaron Wong, winner of two BRONZE Awards in groups of 12 and of 9 competitors;
Sarika Chakravorty, winner of the BRONZE Award in a group of 16 competitors;
Suzette Marie Cameron and Rochelle White for their outstanding performance.
iMA student Xianxin Du has won the prestigious Kiwanis Music Foundation 2007 Scholarship. He has competed at the Kiwanis Music Competition and is the only trumpeter in the GTA who has been given this award. In a personal letter to Xianxin, Ms. Pan Allen, General Manager of the Kiwanis Music Festival, wrote:
“Congratulations on your outstanding performance at the 2007 Kiwanis Music Festival of Greater Toronto! In recognition of your talent and hard work, our team of adjudication has chosen to award you with the Kiwanis Club of Toronto Foundation Award. The Kiwanis Music Festival of Greater Toronto hopes that you use this award toward the further development of your talent.”
The iMA Faculty and Staff are very happy of Xianxin’s success. He is currently preparing for his RCM Grade 8 examination in June. You can hear him playing at one of the iMA students’ recitals in May and at the iMA Annual Concert on June 24th.
World famous conductor and Music Director of the Boston Philharmonic Orchestra, Maestro Benjamin Zander, came to Toronto on January 19th, 2007.
In the morning, Mr. Zander gave a speech on “The Art of Possibility: Transforming Professional and Personal Live” at the Toronto Hilton Convention Centre. Later in the afternoon Maestro Zander conducted a special concert at John Bassett Theatre in the Metro Toronto Convention Centre and presented his highly acclaimed concept of the orchestra as a metaphor for leadership. After the concert Maestro Zander signed copies of his world bestseller “The Art of Possibility”, presented by Harvard University Press.
Benjamin Zander’s work as a conductor and motivational speaker has been awarded the highest attention on five continents. His leadership view is unconventional and its impact is without boundaries. His teaching transforms entire lives through “The Art of Possibility” in ways that are nothing short of magical with results that are nothing short of exemplary. According to Fortune 500, “Ben Zander is the hottest property on the management guru circuit”. According to Boston Globe, “Zander is one of the finest conductors in the world”.
Both the speech and the concert were presented to a very interesting multifaceted audience: executives from leading Canadian companies; conductors and music directors converging in Toronto from five continents for the Conductors Guild International Conference; high school and university students and professors; seniors.
The event was presented by Classical 96.3 FM and sponsored by the International Music Academy.
Congratulations to our students for their excellent performance!
Cameron Lee (violin, first award)
Stephen Yu (violin, first award)
The iMA teachers and staff extend their warmest wishes to our students' families. Thank you for your continuous support!
To print a copy of the current month newsletter and take advantage of exciting offers, coupons and current promotions, click here [PDF].
Year XXX, No. 8 (August 2026)
Liam Zhang, piano
Llyod Chen, piano
Mary Pashin, piano & violin
Devin Persaud, piano
Vitsu Patel, piano
Lydia L., Jonathan T., Moira C., Jason T., Krish C., Aliyah L., Ira V., Chenyi W., Ezekiel B., Kiaan M., Noah D., Devin P., Nivaen S.
August 3 Civic Holiday. IMA is open.
August 7-8 RCM theory examination
August 10-23 RCM practical examination
The Ontario Ministry of Education requires that all high-school students get involved with a charitable or non-for-profit organization volunteer 40 hours in community service. Our affiliated charity, the Kindred Spirits Orchestra (KSO), has several projects with various time commitment that can be done either at home or at its locations in Markham and Stouffville. If you are in grade 9, 10, 11 or 12 and looking for community service, email GM@KSOrchestra.ca The projects are open to all students (including those who are not taking lessons at the IMA), so feel free to refer your friends.
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We have been very pleased with the continuous success of our students. They have improved a great deal and we share their excitement with their families, friends, neighbors, and schoolmates. We appreciate your interest towards our programs and services. We are always very happy to welcome new students of all ages, levels, and instruments to the iMA. Please tell your friends about your experience with the International Music Academy.
Do you know someone who is thinking of taking music lessons or who has children who may be interested in getting their hands on a musical instrument or singing? Do you know a teenager who needs a high school OAC credit? Do you know an adult who has wanted for a long time to learn how to play a musical instrument but has never had the time or inclination? Please tell them about the IMA.
As an appreciation for your referral, we will give you a $30 credit for each new student who registers at the International Music Academy as a result of your referral.
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The IMA offers personalized Gift Cards that could be used as thoughtful birthday, holiday, bar/bat Mitzvah, graduation gift or for any other occasions as well as to encourage someone to start learning a musical instrument or singing. The card can be used for any products or services.
The gift card is available for any amount. As cards are personalized with the name of the person who will receive it as well as with the name of the person who purchase it, requests have to be made 1 day in advance. Cards can be ordered in person, by phone at 905.489.4620 or by e-mail at info@InternationalMusicAcademy.ca. At the time the card is ordered, a non-refundable $5 deposit is required. The full value of the card is paid upon pick-up (and the deposit is credited towards the purchase price). Payments can be made by any major credit card, cheque or cash as well as through the accounts of the IMA Clients.
2/08/1945 Mascagni died
8/08/1975 Shostakovich died
09/08/1919 Leoncavallo died
10/08/1928 Janacek died
12/08/1992 John Cage died
13/08/1912 Massenet died
22/08/1928 Stockhausen was born
22/08/1862 Debussy was born
25/08/1918 Bernstein was born
26/08/1958 Vaughan Williams died
28/08/1959 Martinu died
Where you born or do you know someone who was born on the same day as these famous composers?
Drop us e-mail at info@InternationalMusicAcademy.ca to let us know.
M.Mus., B.Mus., Piano and Music Theaory
Ms. Antonia de Wolfe has graduated with a degree in piano performance from the George Enescu Institute of Music in Bucharest, Romania and, later, with another degree from the Central School of Music affiliated with the P. I. Tchaikovsky State Conservatory in Moscow. She has also graduated from the Academia Nazionale di Santa Cecilia in Rome, where she studied with Sergio Perticaroli, and has earned a Master in Music (piano performance) degree from the University of Toronto. In addition, Ms. de Wolfe has studied with Maestro S. Petricaroli at Mozarteum Hochschule für Musik in Salzburg (Austria). Ms. de Wolfe has given several recitals and concerts in some of the finest concert halls in Bucharest, Moscow, Rome, Paris, Salzburg, and Toronto. She has also taught piano at the Columbus Centre, Cosmo school of Music, and Koffler Music School. As a collaborative pianist and accompanist, she has been in great demand for several productions of the Centuries Opera Association, Toronto Opera Repertoire, Palestrina Choir, Ethobicoke Centennial Choir, and others. Ms. de Wolfe is a registered teacher with Royal Conservatory of Music.
Ms. Antonia De Wolfe was happy to answer a few questions for our Students and Parents:
1. What do you like most about teaching? I feel a great satisfaction upon following the development of my students’ skills and of their understanding of music. When I teach pieces that I myself have played I get a new perspective on them and I get new ideas about alternative ways to approach them. Teaching requires a keen analysis of musical structure, which helps the teacher to unveil hidden or new meanings involved in the experience of music. Also, I like to perpetuate the love of classical music for the new generations.
2. How do you inspire students to practice more? It’s very important to listen to music. Listening to recordings, going to concerts… Listening to music is an active process that inspires a student. It awakens in them the expressive possibilities that music offers. I always demonstrate a piece of music on the piano. Also, I give the student several repertoire choices and let them pick their favourite one. Finally, it is important to put a piece in historical context: information about the composer and the period the music was written in. All of this leads to inspiring my students to learn more.
3. What roles does performance play in student’s development? It is important to have performances as milestones in a student development. Such events contribute much to shape the self‐image of a student. Once a student has a performance as a set goal practicing becomes more exciting! Simply, a motivated student puts more effort into practicing. The performance in itself represents the culmination of all the effort put into practice. Plus, it’s a great feeling to be on stage and create beautiful music.
4. Who are your favourite composers? Robert Schumann has been a long-standing favourite composer of mine. His intense romanticism has always moved me. His ability of changing moods from lyrical calm to passionate torment, from sadness to great joy and glamour, exemplify is depth of character (as a composer). Also, from orchestral repertoire I like Symphonie Fantastique by Hector Berlioz. Wagner and Berlioz were both innovators of program music (music that has a story line behind it).
5. What was the last piece of music (sheet music or a recording) you purchased for yourself? I purchased Carnival by Robert Schumann, a piano piece.
E-mail to info@InternationalMusicAcademy.ca a photo of yourself (or your child) together with the answers of the questions above. The deadline for submissions is the 15th of every month. We will feature you in one of the next issues of the newsletter.
FEATURED ARTICLE
MILES DAVIS: THE FLAWED GENIUS WHO TURNED THE JAZZ WORLD UPSIDE DOWN
by Roger Thomas
Roger Thomas marks 100 years since the birth of a jazz legend by looking back at the style and personality that shaped his unique career
Miles Davis 1959. Michael Ochs Archives/Getty Images
It’s said that Kind of Blue is the jazz record owned by anyone who owns only one jazz record. What’s interesting is that there seems to be no obvious equivalent for either classical or mainstream popular music, both of which have their legendary bestsellers but neither can point to a single pivotal recording by an individual artist. In the year that marks the centenary of the birth of trumpet player, composer and bandleader Miles Davis, the inevitable celebratory writings, musical tributes and rehashed recordings are already in generous supply (not that there was a dearth of such material previously), so perhaps Miles’s main achievements are more easily viewed at distance.
Born in Alton, Illinois into a land-owning professional family (a favourite boyhood pastime was riding horses on his grandfather’s farm), Miles Dewey Davis III received a typical middle-class education culminating in a year at the Juilliard School, although he abandoned his music studies when professional engagements overtook them. Despite encounters with racism at various times in his life, Miles (who always insisted on being referred to thus) had no time for the stereotype of the downtrodden negro; when presented with the idea of the blues being rooted in suffering, he simply said, paraphrasing Gershwin, ‘My daddy is rich and my momma’s good-looking. I haven’t suffered and I don’t intend to suffer. I can play the blues.’ He preferred instead to focus on the inner workings of the music that had obsessed him since childhood, a mindset that would inform his artistic development throughout his career.
His family moved to the St Louis area a year after his birth, where trumpet tuition led to the young Miles forging an early career as a musician. Unexpectedly roped into the Billy Eckstine band, he found himself sharing the bandstand with Charlie Parker and Dizzy Gillespie, remaining intermittently after they had left. Already restless, this presented him with the final incentive he needed to move to New York, where he could seek out fresh opportunities. Joining Parker’s quintet in 1947, he was swept up in the creative maelstrom that would become known as bebop.
Many regarded bebop, with its complexity and often hectic pace, as a new and different music altogether, to the extent that even towards the end of the 20th century a band might present itself as playing ‘jazz and bebop’. Just short of his 19th birthday in 1945, he made his recording debut with reeds player Herbie Fields before playing on Parker’s recordings for Savoy and Dial Records.
While his contributions to these sessions have provoked as many opinions as there are critics, the signs of Miles’s developing style are clearly discernible. However, while his technique allowed him to place suitable notes in the right places, bebop was not an obvious environment for his musical thinking. He was wary of overstatement, having gravitated towards restraint, precision and informed evaluation. He famously described this as wearing both spats and a flower in your lapel, deciding you didn’t need both and then realising you didn’t need either.
A combination of internal dissent and Parker’s heroin-fuelled behaviour led Miles to part company with him at the end of 1948. He subsequently became a member of the creative circle surrounding the arranger Gil Evans, who was interested in working with ideas associated with classical composition within the broad context of jazz. Evans admired the attention to detail, texture and timbral density he heard in the music of Debussy and had also absorbed ideas from a host of other composers such as Milhaud and Weill. Miles had found a kindred spirit, as had Gerry Mulligan, a youthful baritone saxophonist also possessed of the kind of arranging skills that could be brought to bear on this new approach.
The upshot was the seminal nonet recording entitled Birth of the Cool, with subsequent issues tagged as The Real… and The Complete… depending on the mixture of track sources. Credited to Miles but with much input from his associates, the innovative style and an extended instrumentation that included French horn and tuba saw a critical reception that tended in the direction of polite perplexity. The original band had a short lifespan and the album would only find true appreciation in hindsight, exacerbated by its intermittent recording schedule delaying its release until 1957. Nonetheless, Miles now had a basis for further progress.
The intervening period was one of mixed experiences. A visit to Paris in 1949, which he found inspiring and liberating, was followed by a shortage of engagements on his return to New York. Good news came in 1951, when producer Bob Weinstock, who understood where the music on Birth of the Cool had come from, signed him to his Prestige label. A period of heroin addiction was brought to an end when he returned to live with his father in 1953, allowing him to re-enter the fray with a sense of clarity and renewed energy the following year.
Feeling a need to make up for lost time, Miles recorded several albums in succession. He had become drawn in the direction of hard bop, the more straightforward but nonetheless energetic offspring of bebop that rehabilitated more conventional structures, adopted tight, funky rhythms and incorporated arrangements of popular songs, a strategy that he would make his own later in his career. This period also saw John Coltrane playing in his band, although the saxophonist was sacked in 1957 due to his own heroin addiction which he too overcame, leading to his reinstatement and his subsequent appearance of two more essential albums: Milestones in 1958 and the aforementioned Kind of Blue in 1959.
Milestones retained components drawn from several areas of the trumpeter’s musical experience, with elements of the blues, swing and bebop and the music that followed it. However, it also marked the first fully gestated piece of modal jazz in the form of the title track, based around a brief, uncomplicated but memorable uptempo riff that recurs at intervals during the composition, which overall is joyously liberated yet also perfectly sculpted. Kind of Blue consolidates this approach. With typical insight, Miles described modality as a challenge to melodic invention that also avoided the dead end of improvising on a chord sequence when ‘you know at the end of 32 bars that the chords have run out’. Seasoned jazz listeners will have encountered examples of this, typically marked by a hapless player ending a solo with long single notes while waiting for the cavalry to arrive.
Anyone new to Miles’s music could do far worse than starting with these two albums before exploring his recorded timeline in either direction. He would continue to innovate, very much on his own terms, with such projects as the soundtrack to the Louis Malle film Ascenseur pour l’échafaud. Dating from the same period and informed by the same modal style, the music was largely created through live improvisation inspired by footage from the film. Sketches of Spain from 1960, co-composed by Gil Evans and derived from interpretations of music by Rodrigo and de Falla, is either a brilliant example of the notional classical/jazz fusion tagged by Gunther Schuller as ‘Third Stream’ or simply nondescript, depending on who you ask. Sketches of Spain was produced by Teo Macero, whose subsequent artistic relationship with Miles has been compared to that of George Martin and The Beatles.
Miles embraced electric instruments and rock rhythms from the late 1960s onwards, resulting initially in In A Silent Way and Bitches [sic] Brew, the former assured and elegant, the latter either an inspired and fearless incursion into the avant-garde or a noble/ignoble failure, again depending on who you ask. Certainly, the whole ‘electric Miles’ era has been an area of contention between traditionalists and futurists, but his methodology, rooted in a pluralist ethic that today would be regarded as musicological as much as musical, retains its own identity regardless of context.
Miles was, after all, a musician who was perfectly at ease referencing Indian music (a natural fit with his modal approach), flamenco or Stockhausen. One likeable example of his good-music-is-where-you-find-it stance is his take on Michael Jackson’s ‘Human Nature’ on the 1985 album You’re Under Arrest, its limpid melody providing the perfect environment for the trumpeter’s sparse yet uplifting improvisations.
Miles Davis died in 1991 of pneumonia and respiratory failure exacerbated by a stroke. He was 65. It’s impossible to do more than sample his sprawling discography here and equally impossible to list all the A-list musicians associated with him, but happily there are plenty of sources for this information. However, despite his unique gifts, he was also notoriously aggressive, authoritarian and misogynistic, exemplifying Anthony Braxton’s proposal that the history of music is not exclusively the history of nice people. In very different ways, we can hopefully learn from both these aspects of Miles’s legacy.
No vibrato Miles’s teacher Elwood Buchanan encouraged him to play without vibrato, supposedly on the grounds that ‘you gonna be shaking enough when you get old’ but added he already had his own unique style that he should continue to develop.
Favouring the midrange Rather than stretching the range of the trumpet to extremes at the cost of the instrument’s timbre, Miles would focus on the midrange, where tone, dynamics, projection and intonation could be properly controlled.
The Harmon mute This aluminium mute (pictured above) was strongly identified with Miles’s sound. The Harmon has a removable stem for producing the often comedic ‘wah-wah’ effect which Miles unsurprisingly dispensed with, saying of the resulting tone that ‘it sounds like a voice’.
A modal approach as an alternative to the energy of bebop, Miles adopted a modal style that provided scope for improvisation but with an added element of structural discipline, the open-ended results allowing the use of static harmony rather than chords as a backdrop. The distinctive nature of modal scales in general is easily demonstrated on a keyboard instrument by playing a white-notes-only seven-note scale.
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